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Gender Fluidity




700mm X 340mm, paper mache, paper clay and wire structure for sculpture. 


planning for sculpture, A5, pen and gold marker 


For this piece I have used paper mache and wires for the shape of the body, and then I have used watered-down paper clay as a plaster to create the variety of cracks with the porcelain white colour. The cracks are painted gold, and the fake flowers spray-painted gold as it complements the white and adds towards my intention. The flowers arrangements juxtaposed between a perfect arrangement and the spontaneous sprouting from the cracks and holes of the body. A bit of green for the leaves of the flowers are intentional, as it represents life in nature and adds towards the action of the flowers growing. The imperfect and messy colouring of the cracks were to give the impression that the gold is seeping through cracks.


My intention is to display how society still considers the idea of gender fluidity 'worn out and incomplete', which is symbolised by the cracks on the mannequin. However the sculptured mannequin is designed to seem also non-gender binary due to it's female and male features of the upper torso ( slights breast, thick waist, petite but slightly muscular ) However, beneath the criticism of society, blooms golden flowers .The ability of expression is like treasure. Which explains the gold flowers and the gold seeping through the cracks.





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